It's the EXACT SAME VERSION that they gave me on the demo that they submitted, with Fergie singing the song.
Yesterday, the co-writer/producer sent me a note saying the song is on Fergie's album but it's different from the version we did. All of our paperwork went through and was finalize., They were aware that Jordan would use the song as a single. We recorded the song and Fergie's management had a copy of it. When we purchased the song, we were told by the co-writer/producer and Fergie's management, that Fergie thought the song was "too immature" for her album and she felt she had better songs. Is this something that commonly happens ? I did a short interview with her to get the details behind the story. She is "extremely disappointed" with Fergie, producer Toby Gad and manager David Sonnenberg and co. I just spoke with Jordan McCoy's manager, Debbie Hammond, CEO of Clockwork Entertainment, about the Big Girls Don't Cry situation with Fergie. Diddy and Kim are working together again and Kanye is on the "Press Play" track that features Nas and Cee-Lo. The other is a beat produced by Havoc of Mobb Deep I was told it has eerie kids singing or something. Secondly, there is a song that has Twista and Shawnna spitting like they have a mouth of madness. First, the song with Diddy, Nas, Cee-Lo and Kanye. Now, I have been informed that there are a few records the b-boys and b-girls need to check for.
Lil' Cease was also there - SIKE! From what I have been told, Diddy's album sounds like a winner. He even said he wanted to give her a better "Welcome Back" party. Lil' Kim also came through and Diddy informed the crowd that he and the QB would be doing some work together. They also sang "Happy Birthday" to Andre Harrell, the man that gave Diddy his first shot at Uptown Records. On the flip side, Diddy held a listening session last night and he commanded the crowd to sing "Happy Birthday" to the rapper. Sales for 2006 are down 5% compared to 2005 at 423.5 million units.THE INDUSTRY SING TO T.I. Overall CD sales are down 2.3% from last week’s count and down 2.3% compared to the same week a year ago at 9.86 million units. 38 (Babygrande, also 22,000) and Sarah McLachlan’s holiday set “Wintersong,” at No. 33 (Columbia, 23,000), Lonestar’s “Mountains” at No. 30 (Columbia, 26,000), Aeromsith’s “Devil’s Got a New Disguise - The Very Best of Aerosmith” at No. Other big debuts include Frankie J’s “Priceless” at No. Vince Gill impacts the chart with the four-disc album “These Days” (MCA) at No. Tony Bennett’s “Duets: An American Classic” (RPM/Columbia) falls 5-9 with 68,000, a sales slip of 35%, while the Killers’ “Sam’s Town” (Island) rounds out the top 10, falling 6-10 with 62,000.īentley is not the only country star to enjoy a strong debut this week. 1 in 2003 with 417,000, while the gospel-dominated follow-up “I Need An Angel” began at No. “American Idol” second season winner Ruben Studdard is back with “The Return” (J) at No. Meanwhile, Hinder’s “Extreme Behavior” continues to prosper in its 38th week on the chart, ascending 9-7 with 76,000 and a sales decline of less than 1%. Which ascends 3-1 on new Hot Country Songs chart, to be posted tomorrow on .Īfter entering at the summit of the big chart last week, Rod Stewart’s J Records release “Still the Same… Great American Rock Classics of Our Time” falls to No. “Long Trip” was previewed by the single “Every Mile a Memory,” The set shifted 82,000, good enough for his best sales week and Billboard 200 charting position to date his 2005 release “Modern Day Drifter” began with 75,000 at No. 5 with “Long Trip Alone” (Capitol Nashville), which also bows at No. Justin Timberlake’s “FutureSex/LoveSounds,” which topped the chart for two weeks earlier this month, jumps up 7-4 with 99,000, an 8% sales increase. 4 chart entry of her 2004 self-titled debut. Moving 108,000 units, the set also trumps the No. Pop youngster JoJo returns to the chart with her sophomore set “The High Road” (Da Family/Blackground) at No. 2 spot warm for a second week with 112,000 copies, a 31% sales decline. 2.Įvanescence’s Wind-Up effort “The Open Door” keeps the No. The follow-up, 1999’s “Forever” (205,000) and 2001’s “The Saga Continues” (186,000) both debuted and peaked at No. Under his previous moniker Puff Daddy, his debut “No Way Out” also topped the 200 with a whopping 561,000 units in 1997. “Press Play” sold 170,000 copies in the United States, according to Nielsen SoundScan, the lowest first-week sum of Diddy’s solo career. 1 album on The Billboard 200 since 1997 this week with “Press Play.” The Bad Boy/Atlantic effort also knocks Lloyd Banks’ “Rotten Apple” from the throne on the Top R&B/Hip-Hop chart after only one week.
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